Just Uploaded Photoshop Cc and Content Aware Is Greyed Out

How to use the New Content Aware Fill

• April 9, 2019

Content-Enlightened Fill has long been one of those features in Photoshop that feels like magic. It'south perfect for cloning or fixing larger areas of an image without having to re-sample over and over with the clone postage stamp or healing brush, or to define the source area using the "patch" tool. Just this tool sometimes grabs the wrong source material and creates epic failures. Then simplicity is great until is doesn't work. Adobe gets this and they gave us a lot more command in Photoshop CC 2019 with a new version of Content Aware Fill.

The new version is a huge improvement. The biggest modify is that y'all can easily specify which parts of the image can or cannot be used as source material. This eliminates the biggest trouble, where random objects show upwardly in the fill up. Another critical change is that you become a alive preview equally you make changes to both the source material and areas targeted for fill up. There has always been a bit of unpredictability in the tool, and these live previews allow you to more than apace explore different settings to find exactly what you need. And finally, there are several more controls to allow y'all to specify whether or how source material is manipulated to deal with specific issues, such as a repetitive pattern disappearing into the altitude.

Both the old and new version of the tool are available in Photoshop CC 2019. To access the sometime tool, yous can click <shift>-<delete>, <shift>-<F5>, or get to Edit/Fill and gear up the contents dropdown to "content aware". The new tool is in a different identify and has no keyboard shortcut by default (though you can customize your keyboard shortcuts to use information technology if you adopt). Just go to Edit / Content-Aware Fill up (not merely "Fill"). If either of these items are grayed out in the carte du jour, brand sure that you accept selected a normal pixel layer (Smart Objects are not supported) and that you already have an active selection (which you can change once you enter the new tool, simply you will need an agile pick to use information technology).

The workflow for Content Aware Make full is a fleck iterative, only by and large works looks this:

1. Create a hard-edged option with the lasso tool (<L>) and go to Edit/Content-Aware Make full.
2. Click the circular reset arrow for "fill up settings", equally the default settings are commonly the all-time place to outset.
3. Refine the light-green sampling areas with the castor (accessed by clicking <B> or the icon in the toolbar at left). If you exercise not see whatsoever green, make sure "show sampling areas" is cheque and click the round reset arrow next to that checkbox. Utilise the minus option in the tool options at height left (or hold the central to use the opposite fashion) to meet a minus cursor and paint out any areas of greenish that should not be used for Content-Aware Fill. Y'all tin can add together boosted areas with the castor in plus way if remove too much or need to include something outside the original greenish area. Annotation that the preview will update afterwards any change to the light-green areas.
4. You may refine the lasso choice as needed with the lasso tool in the toolbar or by clicking <50>. This is of form helpful if your original selection wasn't perfect, but also serves another purpose. Making even very tiny changes to the option can dramatically change the make full preview. So try making very small changes to experiment with different fills, even merely a pixel far removed from any trouble areas. Think of it equally a way to provoke random changes in the results. This is a nifty way to improve the quality of the fill after you have refined the green areas.
5. If you need to zoom or motion around, y'all can utilise the icons in the left toolbar or the standard <Z> to zoom and <space> temporary hand tool. Note that checking the "scrubby zoom" selection in the zoom tool settings allows yous to click and elevate to zoom smoothly in or out of the epitome window on the left, but that the preview of the fill in the right window unfortunately ignores this setting. The easiest style to zoom in and out of the preview window is to utilize the zoom slider at the bottom of the preview.
6. Once you've done everything above, y'all may wish to experiment with different options in the "make full settings". They more often than not behave in a way consistent with their naming, but the results can fairly unpredictable, and so experimentation is the best approach.
   • Color Adaptation specifies how much the source cloth can be inverse in tone or color to fit its new surroundings.
   • Rotation Adaptation specifies how much the source material can exist twisted in the fill. Unlike color adaptation, it doesn't do a slap-up job at matching its surroundings, which makes the results highly unpredictable (ie, its much more than about rotation than accommodation). Simply it can be very useful if you demand to modify orientation, such every bit in rocky textures that may look like besides much of a repeating pattern without some variation.
   • Scale allows the source cloth to be resized, which tin be helpful for patterns that change size, such as a brick wall shot on an bending.
   • Mirror allows the source textile to be flipped, which is nifty for sampling from something which is symmetrical and opposite to the area you lot need to fill. This is skilful for things like architecture and reflections.
7. Before clicking "ok" choose which output yous'd like: new layer (great for working non-destructively with minimal increase in file size), electric current layer (best avoided unless you feel very confident in the results), or duplicate layer (helpful if you want to go on more source material for cloning later, but this more often than not causes a wasteful increase in file size and you can always clone from the original layer).

You may find that you get a smashing, but non perfect upshot. That'south fine. Once you've finished with Content-Aware Fill, you tin can and so employ the spot healing or clone tools to further improve the results. The goal is to have Content-Enlightened Fill practise about xc% of the piece of work for y'all, which should ultimately give y'all faster and better results.

Luminosity masking:

Or, simplify luminosity masking
with Lumenzia:

logantheive.blogspot.com

Source: https://gregbenzphotography.com/photography-tips/how-to-use-the-new-content-aware-fill

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